So you’ve spent hours working on an incredible project, and it’s finally finished. What’s the next step? Take a picture to document the items (and maybe to show off on Facebook or Ravelry). You don’t need an expensive camera or photography classes to take great photos! These 5 tips are quick and easy to execute, so you’ll be taking great photos in no time!
1. Turn off the flash! Use natural light instead. Flash tends to flatten an image, which can make it difficult to see your beautiful stitches. Natural light will make your photos look more true-to-life, so try to photograph during daylight hours. Avoid the direct, harsh midday sun, though — this will wash out your image, just like the flash does. In the picture below, you can see that the photo taken with flash made the colors appear harsher. The image is also flatter and sharper, making the yarn appear shiny (which it is not in real life). The natural light photo shows both the colors and textures much more accurately.
In a recent essay in our newsletter, The Weekly Stitch, Michelle Edwards, author of A Knitter’s Home Companion, discusses project sustainability. Michelle writes,
“Sustainability is about working a project from the first to last stitch, sewing it up, and weaving in loose ends. Blocking it, if needed.”
Her essay discusses the importance of managing your projects, and considering the different factors that help you decide what the purpose of your project is (who is it for, time allotment, yarn needed, etc).
For example, when you see that luxurious, super soft, richly colored skein of yarn, ask yourself: Do you just have to have it? Can it work into a project you have in mind?
Michelle shares her tips with us to help become more efficient yarncrafters. Maybe after you read her story you’ll start tackling some of those WIPs (Work In Progess) that are laying around in storage!
What do you do to ensure that your project is sustainable? Share some of your tips and thoughts with us int he comments.
Do you ever seen an amazing pattern and think, “Wow, I love that, but I wish it were made in a different yarn”? Substituting a different yarn is an easy way to make a pattern truly unique. There are a few things to keep in mind when selecting a different yarn. Let’s use the Inishturk Sweater as an example to illustrate each of these tips.
1. Check your gauge. You’ll get the best results when you substitute a yarn with the same or similar gauge. But what if you’re browsing yarn in a store? You can’t just pull out your hooks and needles and do a gauge swatch without buying the yarn! In this case, look for a yarn within the same weight category, and then gauge swatch after your purchase. In our example, the Inishturk Sweater is knit in Fishermen’s Wool, which is a worsted weight yarn, so you could consider substitution yarns like Amazing, Vanna’s Choice, Cotton-Ease, and more. If you really want to use a yarn with a different gauge, you’ll need to do some math. Click here for a blog post all about substituting different yarn weights.
Hi, everyone. Today I’m going to be talking about the final stages of making your sweater, and how you can keep on adding design elements even after all the knitting is complete! Once you’ve picked up the bands and sewn the sleeve seams and woven in all those ends, there’s still things you can do to change the look of your sweater.
One of my favorite ways to add some interest to a plain stockinette sweater is embroidery. I enjoy doing a method called duplicate stitch, with which you can put pictures on your garment, similar in look to intarsia, but much less fiddly! If you find an intarsia chart you like the look of, you can actually use this method to embroider it on to your sweater. It’s also a great way to use up random scraps of yarn!
With duplicate stitch, you are actually mimicking the look of stockinette stitch. You use a darning needle threaded with yarn in a different color to your base fabric, drawing over the chosen stitches so that they are covered with the different colored strand of yarn. This is a very easy method to add little motifs to your work. Be wary of covering large areas of fabric with this method, however, as it does make the fabric doubly thick in the covered areas.
Did you know that March is both National Crochet Month and National Craft Month? It’s such an exciting month, and there are so many different ways to celebrate. Our favorite way, of course, is to give back to others through teaching. If you’d like to teach a friend, relative, or complete stranger how to crochet or knit, we have many resources to support you. You can find helpful instructions, illustrations, and videos at learntocrochet.lionbrand.com and learntoknit.lionbrand.com.
We also have lots of blog posts to support your teaching. Here are some of our favorite posts.
As you’re teaching friends, remember to check out the two great sweepstakes sponsored by our friends at Knitty Daily. Click here to find out how you can win some amazing books and DVDs. I hope you celebrate the rest of the month with tons of crafting, crocheting, and knitting!
Hi everyone! This week is going to be all about sleeves. In this pattern, the sleeves are put on hold until the body is completed. Then, the sleeve stitches are slipped back on the needle, and the ribbed border is started for short, t-shirt-length sleeves.
I decided that I’d like to do full-length sleeves. Lengthening your sleeves is pretty easy, especially if you’d like a casual looking sleeve with no shaping–just keep working until the sleeve is as long as you’d like it to be. However, I wanted more fitted looking sleeves, so I measured around my upper arm, just below my elbow and then around my wrist. Next I took vertical measurements to get the distance between those 3 points. Then, to work out how many and where my decreases should fall, I just used the same formula from my last post that I used for decreasing for the waist. For the sleeves, you’ll only be decreasing twice in each decrease row, once at each edge, rather than the four decreases across a row for the body. I placed my decreases two stitches in from the edge, to leave the edges nice and neat for seaming later on.
Last week, I discussed directional decreases for knitting. Of course, there are also many types of increases you can use to create shaping.
Let’s go over the increases, starting with the bottom. The yarn over (yo) increase is a great decorative option that works well on either side of your work. Keep in mind that the finished stitch leaves an eyelet.
The knit in front and back (kfb) increase is also referred to as a bar increase. The completed increase appears to be your regular knit stitch on the right, plus a new purl stitch on the left. Because the new stitch is formed to the left, your original knit stitch will slant a little to the right. Despite this, the kfb is a quick, simple increase that works on either side.
For directional increases, I most often use make 1 right (m1r) and make 1 left (m1l). These variations of the make 1 increase create smooth, almost invisible increases that mirror each other very well. That’s why they’re my go-to increases.
Another option for directional increases is a lifted increase. The right lifted increases (RLI) and left lifted increase (LLI) have similar results to the make 1 increases, so they’re a great choice if you’re doing increases every few rows. However, I’d advise against them if you’re increases every right side row, as this increase can create some puckering and a noticeable line when used on every other row.
While there are other knitting increases, I find that these 4 techniques get me through most situations. Now you know how each increase looks, so when your knitting pattern calls for a vague “increase 1 stitch”, you can make your stitch selection with confidence.
When I knit my first hat, I noticed that the decreases on the top swirled to the right. This is because knitted single decreases slant to the left or the right. The most common decrease, knit 2 together (k2tog), leans to the right. Of course, there will be times that you need your knitting to lean to the left: lace patterns, sweater shaping, knitting socks, and so on. For these decreases, you have a few options.
If you work your k2tog through the back loops (k2tog tbl), you’ll end up with a left-leaning decrease. I find that this stitch often becomes elongated, though. The slip, slip, knit (ssk) decrease matches the size of k2tog a little better, so it’s the left-leaning decrease that I use the most. The slip 1, knit 1, pass slipped stitch over (skp) decrease will also lean to the left. As you can see, I’ve used right-leaning decreases on the left side of my swatch and left-leaning decreases on the right. With these easy stitches, you can create even directional decreasing on each side. Interested in directional increases? I’ll have a post on that next week.
A few weeks ago, I shared a Customer Tip of the Week in our Weekly Stitch newsletter from Elaine B., who said:
“I only just realized that at the bottom of each yarn’s detail page on LionBrand.com, there is a section called “Patterns for this Yarn.” This is VERY helpful to someone like me who will buy a bunch of yarn when it is on sale, and then wonder what to make.”
This got me thinking that it might be useful to highlight what else you can find on a yarn’s individual page (which you can find by clicking on “Our Yarns” at the top of LionBrand.com and then click on a particular yarn).
For each of Lion Brand’s yarn lines, the top of each of these product pages has a description of the yarn, along with all of the important details (the size of the ball, what it’s made of, its weight category (thickness), recommended hook & needle size, and its care instructions).
Dyeing your own yarn is the perfect way to customize your yarncrafting project, but not all dyes will work on every fiber. Before you begin, it’s critical to make sure you use the correct dye to ensure that your color comes out great. Consider this your cheat sheet for which common dyes will work with which fibers.
“Pantry” dyes: This isn’t an official term, but it’s how I cluster together food-safe acid dyes like sugar-free Kool-Aid, food color, sugar-free Jell-O, and Wilton icing dyes. These dyes are easy to use, so they’re great for blossoming dyers (click here for our Kool-Aid dyeing tutorail). These dyes work on animal fibers (wool, mohair, angora, alpaca, etc.) and blends with high animal fiber content.